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Oorik Pattern Reveal!!!

Sat 02 Sep 2017 09:09am


I’m pleased as punch to reveal my contribution, Oorik, to the great new book A Year of Techniques by the ever-clever duo at Arnall-Culliford Knitwear, Jen and Jim.

Oorik is a sweet vest for the toddler in your life, the word Oorik which means “small person” in old Shetland dialect.

Knit in the round with just four colors. Of course never more than two are used in a single round. The sweet vest features two border patterns alternated with a single peerie pattern. I feel the colors are suitable for all genders, but they are easily substituted for you to dream up your own color scheme, which would be really fun. I can’t wait to see what folks come up with.

Steeking is the technique you’ll learn with Oorik. As with every project in this stellar book there is a technique to learn and master. Jen and Jim have made a video tutorial which will be go live on Mason-Dixon Knitting on 1st Feb 2018, the same date as a KAL will begin.

A Year of Techniques (with complimentary ebook) costs £19.99 plus shipping, or you can buy the ebook only for £19.99.

Visit Arnall-Culliford Knitwear to purchase.

A kit with the yarn will soon be available in their shop as well.

I hope you’ll join us for the KAL in February…if you can wait that long!

If I ever need cheering up I look at the many photos of Jen and Jim’s niece the vest. I know full well how challenging photographing a toddler can be – she is the cutest!!!

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Nash Island Sheep Shearing

Thu 18 May 2017 03:05pm

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Nash is an island in Maine inhabited only by sheep. Sheep and gulls. Once upon a time, a hundred years ago, a family lived in a lighthouse on the next tiny island, and the lighthouse keeper’s daughter Jenny, kept a flock of sheep. The descendants of these sheep still live on these islands, all by themselves, with the gulls. The islands lie in the middle of the blue of the sea and the blue of the sky. They are nearly flat, with no trees, only brambles, short grasses and bog. Stony grey beach surrounds them, strewn with
seaweed and bleached driftwood.
It’s a magical place.

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Every year, this community of sheep is invaded by another community. A small flotilla of lobster boats arrive with a lively crew of humans set for shearing the flock’s lovely fog washed fleece. They’ve been doing it for years, the same group of people, family, old friends, a smattering of new friends. As people wade ashore, unloading the boats by passing needed supplies hand to hand, the sheep take one look and head for the far side of the island – having none of it.

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Coffee and breakfast breads lure the folk together so Alfie Wakeman can explain the drill. As a child he summered nearby and became close friends with Jenny Cirone, the shepherdess. She taught him how to lobster fish and they fished and tended her sheep together until she died at 91.  Jenny gave the islands and sheep over to Alfie and he and his family have been the stewards ever since, doing things the way Jenny always did them.

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Rounding up the sheep is done without dogs, only people. Alfie explains the time tested strategy. A couple of runners, head out to circle the edge of the island, herding the sheep along the coast, while separate teams of people hide in clumps in the bog and field, trying their best to look like rocks.

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As the sheep pass them, these teams stand up and stretch their arms wide to discourage the sheep from retreating or heading inland. As more groups stand up, all move forward in wide-armed paper doll lines, encouraging the sheep into the weathered pens by the shore.

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Now the real work begins. Separating the lambs from their mothers, “lamb tossing” is a lively and challenging operation. Fearless teenagers grab lambs from amidst the mass of wooly baaing ewes and hand them over the fence where they are passed off to someone else who carries the flailing lamb – all pink ears and sharp little hooves – over to another person situated in the lamb pen.

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Here they are checked and administered to and set free. The mothers are not happy with this situation. Their crying and calling out to their babies will continue all day.

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The shearing itself is spectacular. Four amazing women on the mats, shears sharpened. Donna Kausen and Geri Valentine have each been shearing for 35+ years, while Eleni, Alfie’s wife has been at it for 8 and 2016 was their eldest daughter Wren’s second. Their strength, stamina and precision is astounding.The sheep are wrangled one by one out of the pens and onto the mats, grabbed by the shearer and together with the wrangler put on their rumps, and clamped between the shearers legs.

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Alongside the shearer is the specialized job of “shit picking,” getting the worst of the soiled fleece away from the good parts. Shit-pickers must be nimble, act quickly and not get in the way of the shearers or wranglers. In between shearing the sweeper keeps the mats clean with a quick pass of the broom.


The newly shorn fleeces are handed over to Jani Estell, island wool manager and owner of Starcroft Fiber Mill, a gem – my hero – with a sly smile, sparkly eyes and dry wit, who never seems to hurry yet keeps the whole show going.

She has a special touch for sorting fleeces. Fleeces with the longest staple fiber, shiny and lustrous are reserved for hand spinning (sold before they are even off the animals). The soft silky first shearing lamb fleece are for her very special Fog yarn. The prime ewe fleece, long and soft with a fine crimp are for Nash Island Light, a luscious worsted weight yarn. Soft bouncy fleece that’s “scoodgy” (a made up word because one was lacking) and crimped is for Tide, the dk weight yarn often used for colorwork. No island wool is wasted, anything that does not make the grade is used for felting fiber – reported to be the best out there.

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As Jani calls out the grade, the fleeces fly on the skirting table where a small legion of fiber enthusiasts skirt them. Though the island lifestyle keeps the fleeces incredibly clean, there are still odd bits of brambles, seaweed and soiled areas that must be pulled out. The fleeces are carefully rolled up in vintage floral sheets, labeled and later put into huge burlap bags. Jani will hand skirt every fleece a second time when they get to her mill.

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When the sun is directly overhead it’s time to break for an unbelievable potluck spread. Shearers eat first! After refueling and resting the shearing will continue. When finally finished and the sun approaches the waterline, the whole crowd will load the boats with fleece and gear and head for the mainland happy and satisfied with a job well done. The final task of the day is dropping the rams off on a different smaller island to spend the summer away from the girls, ensuring no lambs will be inconveniently born in winter – and a reason you find so many islands called Ram amongst Maine’s coastal islands.



On Nash, the ewes and lambs are relieved to be reunited and happy to have the island to themselves again.


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Find Nash Island wool turned into knitting yarn at Starcroft Fiber Mill in Columbia Maine (starcroft.moonfruit. com). Each fleece will be gently washed in bio-degradable soap. Once dry the fibers are hand-fed into the carding, drafting and spinning machines. The finished yarns are hand-dyed by Jani in small batches with colors inspired by the coastal beauty of Downeast Maine.
NashIslandLight NashIslandFeltingWoolNashIslandTidepool

Essay by Mary Jane Mucklestone – first published in MAKING No.2/Fauna

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Kanoko Socks

Wed 12 Apr 2017 09:04am


I’m pleased to introduce Kanoko Socks – inspired by the dots on the back of a fawn and an antique indigo kimono I wore for years. Kanoko means baby deer in Japanese and is aslo a shibori tie-dye technique.


You’ll find Kanoko Socks in the spring issue of Carrie Bostick Hogue’s magazine Making, available for pre-order now! Find out all about it here!


I kept it local using Amy King’s (aka Spunky Eclectic) Skinny Sock yarn. I love the subtle variation in the deep rich evening sky blue – called Deep Night. Hi Ho Silver makes the perfect dots. You’ll need 270 yards (247 meters) of the Main Color and 45 yards (42 meters) of Contrast Color in fingering weight yarn.


Simple colorwork and oh so fun to knit!


Additional details on Ravelry:

Kanoko Socks

All photos: @maddermade




Wed 15 Feb 2017 12:02pm


2017 is shaping up to be one of collaboration. I designed the heart motif on the sleeve of Alexa Ludeman’s colorwork pullover, one design featured in Heart on My Sleeve a new book by Tin Can Knits. 

The book includes designs by Tin Can Knits, Shannon Cook, Romi Hill, Bristol Ivy, Tanis Lavallee, Joji Locatelli, Jane Richmond, and Ysolda Teague. All proceeds of the book (after Ravelry and Paypal fees) go to Against Malaria Foundation.  So open your hearts and get a copy!

Visit Tin Can Knits Website for more information.

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I contributed a design to A Year of Techniques by Arnall-Culliford Knitwear, my trusty tech-editors (and gifted designers in their own rights). The book offers 12 patterns, each accompanied by clear step-by-step tutorials and online videos, all designed to upgrade your knitting skills.

I can’t wait for you to see my project, I’m super proud of it, but remains a secret for now.

Besides me Jen and Jim (seen above), the nine other designers are, Bristol Ivy, Ella Austin, Ella Gordon, Martina Behm, Rachel Coopey, Romi Hill, Sarah Hatton, Tin Can Knits and Woolly Wormhead. Plus a foreword by Ann Shayne and Kay Gardiner of Mason-Dixon Knitting. Great fun, great learning opportunity!

Right now when you order you receive a welcome kit. Then, beginning in March through to August, on the first of the month you’ll get a new pattern plus it’s accompanying tutorial. In September, the entire print book, including the remaining 6 patterns and relevant tutorials, will be released to you.

Check out Arnall-Culliford Knitwear’s blog and website for all the deets.